Thursday 8 November 2012

Research Objects


Research Object 1

I recently visited the British museum and saw a very unique and fascinating photograph by Donald Rodney called ‘In the House of My Father’. At first glance i noticed an Afro-Caribbean mans hand holding a small object very delicately with a sense of pride, as if he was showing off the object. With a closer look i realised he was hold a object shaped as a house, with closer inspection i came to find out that the house was made out of his own skin representing skin removed from a operation he had to tackle sickle-cell anaemia. When i came to this realisation the photograph became a lot more inspiring and personal to me as i had a operation recently also and would never think to use it to create art. Whilst other might find the idea of using his own skin strange and slightly disgusting i find it bold and a creative way to use our life experiences to produce work with character and heart. This photograph encourages me to be more daring with my work and not to be afraid to think outside of the box.

 

Research Object 2

Marian Bantjes is a successful typographer, writer, illustrator and designer who is known for her detailed and defined vector art, delicate patterning and dedicated hand work. I admire Marian as a typographer as the core of her designs have a very natural, unprocessed and untreated element to it which reminds me of nature. When looking at her type work the characteristics are very fluid and nature like with the curls, curves and detail which can only be inspired by nature. Her work is refreshing for me as not many type designers especially graphic designers, use nature as a inspiration for there work. Even though it is right in front of us, why should we not make more use of it? With the right techniques and outlook when using nature you can be guaranteed to not be disappointed with your work. Some ways to look at nature for ideas can be as simple as taking a look at something from different angles, for instance from above or sideways or exploring various shapes and textures such as the clouds and their shadows and the patterns of wood from trees to produce original ideas. In addition, you can put opposites of nature together to create an arrangement that works.  So with such easy access to nature and wildlife why not make use of it.

 

Research Object 3

Finding Nemo, The Incredibles, Monsters inc and Up are some of my favourite Disney films, that I’ve watched since they established in the 1930s with Snow White and the Seven Dwarfs. The Walt Disney Company founded by Walt and Roy Disney in 1923 is a multinational mass media company which has many divisions and subsidiaries including The Walt Disney Studios, Marvel Entertainment, Walt Disney Animation Studios and Pixar Animation Studios. All of which contribute to one of the most successful global media corporations. Part of their re-nown success is due to Pixar’s, formally known as the Graphics Group, CGI-animated films generated from Photorealistic RenderMan (PRMan)  which is used to create the high quality images witnessed in the films. It is evident when watching Pixar films that they have been created by them as the graphics/animation is of a distinct high standard and as a graphic designer myself I would love for my work to have the same original effect on clients and viewers. Which Pixar’s highly valued animation and audiences of all ages to me they are a worthy company to look up to for my own work.



Research Object 4

Escher is a perfect example of an artist who uses his surroundings to create original and effective work by simple putting a twist on how everyone else would see their environment. He uses simple and to most uninspiring objects to create a experimental and wondrous piece of work. He does this with a more mathematical outlook which u can see in many of his designs. His mind becomes more dominant in his work rather than using his eyes and drawing exactly what he sees. For example, his piece of work called Sky and Water plays on shadow by morphing the water background behind fish figures into bird figures on a sky background. He tends to explore interlocking figures using white and black to make the different dimensions stand out. His work also includes a piece called Drawing Hands in which two hands are drawing each other and appear to come out of the page. Eschers work pushes an individual to ‘think outside the box’ and not be afraid to try something new because it could produce a fascinating design.



Research Object 5

The Dutch type and graphic designer Rudy Vanderlans was bold enough be one of the first designers to create a magazine which showed off the valuable features of the new Macintosh in 1984. Vanderlans was the co-founder of the magazine/journal Émigré for graphic designers and help designers to understand and view the benefits of the Mac. The magazine was originally for emigrant artists and their experiences and what effect their experiences had on their creative work. However as the magazines success grew the different types of readers grew also and so did Rudy Vanderlans as a designer. Along with the Émigré magazine Vanderlans created typefaces including Oblong and Variex, he started a digital type foundry with his wife, he released music, designed and distributed artist books and produced pyjamas and ceramics. He didn’t just stick to what he knew which could have been easy to do living in a country that is foreign to him, no, he branched out to other areas and introduced other designers to what was alien to them. As a graphic designer i hope to branch out and not be afraid to use all resources available to me.


Artist Statement


Fresh, contemporary, exciting, ingenious and resourceful; these are just some of the words that come to my mind when I think of graphics and what hopefully I would like people to say about my work in the future. My name is Jasmine John-Baptiste and presently I am studying graphic design at the University of East London, Docklands. As a first year graphic student it’s expected by many to know the typical mediums used by graphic designers which are various computer software’s. However, I went into this year more unconventional as I don’t know how to use any of the software programs. I prefer to use the more old fashioned hand drawings to create a design. However I am fascinated by the way technology gives you more options and choices which I look forward to exploring myself as I am attracted to the creative process that combines art and technology to communicate ideas visually.

 When looking at designs I probably have a different view to what the ‘Artworld’ may perceive creative art to be. As when visiting museums and exhibitions such as the British museum a lot of contemporary art seems to be very simple and basic, so plain that it does not even look like a piece of art or design. I prefer more meaningful or straightforward art with a twist as to me they catch my attention and inspire without having to be confusing for instance Milton Glaser’s work or Donald Rodney with his ‘In the House of My Father’.

 Furthermore it has a great impact and influence on the way people think as the complexities, artistic skills and intricate details of graphic design help bring ideas into real life images. It’s contemporary and it is an industry that has to keep up with modern society. I am continually challenged to design something new and creative in my graphic design work.  To this end, certain aspects of my environment appeals to me and stimulates my senses. Therefore what inspires me and helps to form the context of my working practice is the natural diversity and phenomena of nature because it is neither caused nor controlled by human beings. I like to play with this because it is in direct contrast to the work and context of graphic design which begins with the thoughts and ideas formulated by the human mind. There are also similarities between the creativity of graphic design and nature as they both bring together colours, shapes and textures to create something more complex. I am enchanted by the way in which trees bend, twist and curve throughout the ages. I admire the beauty of nature; even as she ages she is still beautiful.

 “God is present everywhere in and through the whole creation in all its parts and in all places, and so the world is full of God and God fills it all.” (Martin Luther King).  My faith has taught me that God created both the heavens and the earth and all forms of life within it.  I believe that creation reveals God’s character and therefore, I am inspired by God’s handiwork in creation as this sets the template for my thought processes when formulating my creative ideas for my own graphic design work. 
Drawings of Naum Gabo’s work.
Dimensions: A1 sheet
Media: Pencil
Date: May 2012

 
Printmaking sheet.

Dimensions: A4 sheet

Media: Ink, scalpel

Date: March 2012

 
Map of trip in Central London.

Dimensions: A3 sheet

Media: Photo collarge

Date: October 2012

 
Logo to brand a classmate.

Dimension: A3 sheet

Media: Pencil/colour pencil

Date: October 2012


Re-design of the pound coin to show global financial state.

Dimensions: A3 sheet

Media: Colour pencil

Date: October 2012